
roswell
artist-in-residence program
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Dendrite, 2005, wood, felt, foam, wire, 12'x17'x9'
Born out of an acute attention to her surroundings, Mollie Oblinger's
work draws on nature's most covert operations. The hidden but hugely
industrious workings of termites, the invisible replication of a virus
within an organism, and the intricacies of the human anatomy all act as
inspiration for complex assemblages of color and form. By using the
shapes between shapes, the spaces behind spaces, Oblinger subverts the
negative and positive, creating an arresting and unfamiliar visual
language. Painted wood, felt and silicone seem to grow out from the
wall, up from the floor, and down from the ceiling, creating chance
encounters between opposing sensibilities. Soft and hard, nature and
artifice, fact and fiction commingle seamlessly in Oblinger's invented
landscapes. |
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Filum,
wood, felt, foam, wire, pompoms, 104"x96"x16.5",
2005 |
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| Rubbled, wood 27"x15"x 1.5", 2006 | Stickyback, wood, silicone 27"x 22"x 14", 2006 | |||
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| Teether, wood, wire 17"x9"x7", 2005 | Tracery Potential, foam, wire, felt, pins 33"x72"x4.5", 2006 | |||
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| Betwixt, wood, wire, beads 6"x 9"x 1.5, 2006 |
In Staggering Processions, wood, wire, felt, fabric 100"x 105"x 19, 2006 |
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Mollie
Oblinger was born and raised in |
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